Mackintosh Queen’s Cross: Last Sunday of the Month in July, August and September 2019
Sunday 28th July 1pm – 3.30pm, Sunday 25th August 1pm – 3.30pm & Sunday 29th September 12pm – 2.30pm
Why not try your hand at some figurative life drawing in a stunning Mackintosh venue? In a space flooded with natural light, we will draw from a series of short and long poses with a live life model. The sessions are lead by local artist Jade Sturrock, a graduate from the Glasgow School of Art who specialises in Painting and Printmaking and the sessions are mostly self-guided although tutorial advice will be available to those who want it.
Basic materials and tea and coffee are provided, as well as easels, drawing boards and seating is available if required. You are also welcome to bring along your own materials (excluding any hazardous materials such as oil paints or solvents).
All levels are welcome to join, and sessions are limited to 12 people max so pre-booking is highly recommended. Tickets are £12 when purchased in advance or £15 on the door (subject to availability)
Mackintosh Queen’s Cross: Saturday 30 November at 7:30pm
Erland Cooper is an award winning, multi-instrumentalist and producer, originally from Stromness, on the Orkney Islands. Previous projects include The Magnetic North, which blended orchestral arrangement, rock, and electronica to stunning effect, while his early work as leader progressive folk rock group Erland and the Carnival established him as a prominent musical force. He beings his acclaimed new album Sule Skerry – inspired by his beloved island homeland – to the Mackintosh Church in Glasgow’s West End for what is sure to be a truly special night in November.
We celebrate another landmark in the life of Queen’s Cross. On Tuesday 10 September we mark the 120th anniversary of this beautiful Mackintosh building.
In the late 19th century Glasgow was experiencing extraordinary growth. A wave of new church buildings were undertaken to meet the needs of an expanding population. In 1896 the Free St. Matthew’s Church, Glasgow commissioned a new Church and Hall from the architectural practice of Honeyman & Keppie. John Honeyman allocated the job to his promising young trainee architect, Charles Rennie Mackintosh.
Queen’s Cross, now Mackintosh Queen’s Cross was designed at the start of Mackintosh’s extraordinary creative period from 1895-1906, in the same year as the first phase of Mackintosh’s masterpiece, The Glasgow School of Art (1897–9), the Arts and Crafts Exhibition in London and his first work for Miss Cranston. It reveals a sophisticated handling of form, ornament and symbolic meaning, even at this relatively early date. Dr Thomas Howarth, Mackintosh’s first biographer, wrote of the church, ‘the building possesses a warmth and charm conspicuously absent from many churches of the period due largely to the traditional simplicity of Mackintosh’s architectural forms and to the mysticism and spirituality of his decorative motives.’ The architecture of the church has remained largely unaltered to the present day. Over the next couple of months we are delighted to celebrate this special occasion with a number of special events, including a Gala Day on Saturday 7 September between 12 till 4.
On the 10 September we celebrate the 120th anniversary of Mackintosh Queen’s Cross. All members are welcome to celebrate this special occasion. During the afternoon there will be music, talks and some interesting displays on the history of Queen’s Cross. You will also have the opportunity to contribute to our memories box. The programme runs from 2-5pm. So please pop in and meet fellow members and enjoy the refreshments.
Mackintosh Queen’s Cross: Saturday 7th September 2019, 12pm – 4pm
Join us in celebrating the 120th anniversary of the Mackintosh Queen’s Cross Building, 1899 – 2019
With fun activities for all the family like Arts & Crafts, Music, Games and Dressing up, there will be something for everyone to enjoy! The event is free and open to all and local residents are encouraged to come and share their own memories of the building.
Mackintosh Queen’s Cross: Friday 21 June at 7.30pm
Please join us for an evening of piano music and song exploring various facets of love and loss. Soar to the heavens with Soprano Julia Daramy-Williams as she sings works by Berg, Granat, and Messiaen. Traverse the depths of emotion through pianist and composer Maciej Granat’s interpretation of works by Ravel, Fauré, Debussy. This recital of 20th Century and modern compositions takes advantage of the exquisite acoustics of the elegantly appointed Mackintosh Queen’s Cross.
Lids Open Day was born at Glasgow Music’s Festival of ‘ The Piano ‘, in the Grand Hall, City Halls, Candleriggs ~ November 2013. This event offers people the chance to play high quality acoustic pianos ( often in grand places ) irrespective of age or ability. The list of host venues is growing, with City Halls, Glasgow Royal Concert Hall, the Mitchell Library & Mackintosh Queens Cross all opening their piano lids to us. Past venues include: St Margaret’s Episcopal Church, Pollok House and the Pearce Institute. So . . . if you know of a great piano out there somewhere in a venue that would be happy to join in ~ please get in touch here. Meantime, you can also listen to Anna Magnusson’s piece for Radio Scotland’s ‘Sunday Morning With . . .’ show, with Rikki Ross that aired on June 18th 2017. Anna joined Alan, Graeme, Grace and all the other players on the day and played a tune herself !
Genial buffoonery and immaculate, testosterone drenched vocals define the Spooky Men’s Chorale, a ruthless bunch of larrikins based in the Blue Mountains of Australia. With a sound as warm and grainy as a slab of teak, the Spooky Men give equally loving attention to ancient Georgian table songs, tawdry anthems like Don’t Stand Between a Man and his Tool, and the odd ballad of terrifying beauty.
The repertoire is largely inspired by the pointless grandeur of everyday maleness, in the shower, in the shed and after breakfast. Stage presence is imposing, black and foolishly statuesque, with a cunning taste in hats. Their studied deadpan is no act: like most blokes, they’ve only got the faintest idea of what’s going on…